
The question might be: would I have established my own voice as an artist if I stayed in the big city? I

My own voice came by accident. I was starving and contemplating putting a "career" in art on the back burner while I took a job-job. What happened then was pivotal to my work. Resigning myself to this change, I just started playing around with my art with no intended motive of selling. I experimented with shapes, color, and form. The results were my signature style of painting, impasto. What made it work was the research of Robert Gamblin and his development of G-gel, an alkyd gel for painting with thick paint. Generally speaking, oil paint will dry, dry, and dry some more until it eventually cracks even with the best "fat over lean" guidelines applied. This is especially true with impasto, a thick buttery application of oil paint.

Fall is here which means that I'm back in my studio as opposed to painting outside. This painting, "Shoreline", is a work of fragmented color that appears abstract as you stand close. As you step back, your eye will blend the color. The first two images are close-ups of this painting. The last photo is the completed work. http://www.alfredcurrier.com/
HI Al,
ReplyDeleteI completely agree with your sentiment here. I love the title btw. Like you were doing I am finding my voice, and slowly but surely some are starting to listen. I just need more of an audience, but that takes time. Thank you for sharing this and your art.
Karla