"Gazing out the window watching a bird hop from one branch to another wasn’t uncommon for me in my early years while sitting in my classroom. Others were learning more quantitative subjects like math and verbal skills. It was that meditative activity that has stayed with me all my life. Art has been my interest since childhood.
My formative years were established in a small town in southern Ohio, Chillicothe. Art took many forms in my life and creativity was at the center although, not always recognized. I studied two years at the Columbus Collage of Art and Design and went on to receive my degree at the American Academy of Art in Chicago. I did teach for a while at the Palette and Chisel Academy of Fine Art, Chicago, the Johnson County Community College, Overland Park, KS, as well as painting workshops throughout the United States and Europe.
My voice, however didn’t establish itself until I moved to the Pacific Northwest in 1990. The Skagit Valley Region of Washington State was my artistic coming of age. It was here where my “impasto” skills emerged and my voice began to bellow. It was here where I discovered that my technical skills were my tools of expression and not the end within itself."
My formative years were established in a small town in southern Ohio, Chillicothe. Art took many forms in my life and creativity was at the center although, not always recognized. I studied two years at the Columbus Collage of Art and Design and went on to receive my degree at the American Academy of Art in Chicago. I did teach for a while at the Palette and Chisel Academy of Fine Art, Chicago, the Johnson County Community College, Overland Park, KS, as well as painting workshops throughout the United States and Europe.
My voice, however didn’t establish itself until I moved to the Pacific Northwest in 1990. The Skagit Valley Region of Washington State was my artistic coming of age. It was here where my “impasto” skills emerged and my voice began to bellow. It was here where I discovered that my technical skills were my tools of expression and not the end within itself."
So, that was my submitted response for the upcoming book, 100 Artists of Washington. Did I choose the life of an artist or did it choose me? The idea of working 9 to 5 with regular income conjures up the idea of security and being able to walk away from your job at day's end. An artist has none of that. I don't seem to be able to walk away nor do I have the security of a regular income. I went 11 months in 2011 without a major piece of my work selling. In the past 3 weeks, 7 have sold. That's like getting paid once a year but, that's the norm in this profession. I really don't think of it as a profession as much as an obsession. There are many positive aspects that far out way the negatives. First, no one can fire or lay my off. Second, if the weather is nice, I can chose to go for a bike ride. Mostly though it the satisfaction of delving into yourself and losing all concepts of time and space while coming out the other side with the fruits of your labor(or fruits of your play).
www.alfredcurrier.com