Friday, September 16, 2011

RAVENS

Last May, I took the Alaskan Ferry from Bellingham, Washington to Juneau, Alaska.  This was a trip up the Inside Passage with several stops along the way.  I chose the Alaskan ferry because cruise ships are too large to navigate these narrow waters and I wanted to experience the voyage to it's fullest on my first trip to Alaska.  My final destination was Juneau with whale watching and hiking planned.

Early one morning, I find myself sitting on a park bench near the state capitol building in Juneau.  A very large black bird lands on the back of the park bench with me.  He clucks and makes strange sounds, then flies away.  I sit and observe.  There are ravens everywhere, it's 6am.  They skip, run, fly, and observe.  They watch me watch them.  One picks up a piece of string and drags it around for a while, then drops it. Another flies in and grabs the valuable string, then flies off with it. 
I notice a raven with what appeared to be a purple bead in it's beak.  He walks around, drops it, squawks, and picks it up again.  I stand and walk towards him, he skips away.  I follow and he runs. I stop and so does he.  I go back to my bench and sit. 

Again, a raven flies in and lands on the other side of my park bench, hm-mm(?), is he the same one as before? 

Over the next few days, I return to this spot with a keen eye of just observing these guys (and gals).  Their antics are amazing.  One does a tumble a few yards away.  What was that all about?  They seem to have this obsession with carrying things around, digging, and talking.  They have some interesting reflective color in that deep black, soft and hard edges with violets, blues, and greens.  The wind ruffles their feathers, an unkept look as if they'd just got out of bed.  Their heads twists and turns as if they're trying to understand.  I catch my head doing the same, trying to understand.
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Monday, May 2, 2011

Howard/Mandville Show opening May 5th

The show, titled "A Sense of Place", will open this coming Thursday evening at Howard/ Mandville Gallery in Kirkland Washington.  You are invited to this show as I, along with Romona Youngquist, Renato Muccillo, Michael Ferguson, and Kim Matthews Wheaton, will show our world as A Sense of Place, reception: 6-8pm.  Come join me on Cinco de Mayo.

Click here to View Show

Wednesday, April 13, 2011

Tarantulas and Art, a bite.

Which is scarier, holding a tarantula in your hand,
or spending $5000 on a piece of artwork?

Both seem very formidable, but, with education and confidence, both can be accomplished, even enjoyed.

My partner, Anne Schreivogl, although normally very peaceful and kind, will not hesitate to smash any arachnid who dares to enter our home.  "All bets are off when they've crossed that line," she says resolutely.  Recently however, after a Ranger Talk at the Saguaro National Park near Tucson, she did not hesitate to let "Charlotte", a seasoned 16-year old tarantula, take her furry spider legs and crawl up and onto Anne to say hello.  After the Ranger lecture she had the confidence to try it and from the photo, you can see she enjoyed the exchanged greetings.  It turns out these cuddly "teddy bears" of the spider world don't like to bite unless very provoked, and the bite is minimal for humans.

So now, let's look at the scary business of spending signifcant money on art. Here are two important aspects to consider to lower your risk:

One: Why is the art priced the way it is priced?
With any risk, you want to understand what is at stake.  As you begin to pay top dollar for art, its important to understand why are you are paying what you are paying. 

Is this artist established and committed to their work?  Have they been an artist for a long time?  Are there magazine articles and printed material to support their efforts?  Are similar pieces of that size by that artist close in price?  Consistency in their commitment with gradual increases in prices over the years is key.

Two: Is it worth it for you to buy it?

Buying art, beyond the above considerations, ultimately comes down to how it moves you.  If you aren't sure, then wait.  However, if a painting or sculpture grabs you, and you walk away, and cannot stop thinking about it for days, weeks, or even months later, that piece is very likely to keep your interest for many years to come.  Art is about emotion. Period.

If you are talking yourself into buying it, or feel you "should" own a piece because of the artist's name, you probably will not even notice that painting on the wall years later.  Most decisions we make on purchasing things are rational and logical.  "Is this toaster going to work well and last?"  Art is one of the few purchases where we can buy based on how it makes us feel.  It is scary, but with the above guidelines, it can also be liberating and gratifying, and allow you to enter into a whole new world of joy and beauty.

So the next time you are looking at original art, whether in a gallery or at an artist's studio, keep these considerations in mind when you see a piece you are enamored with.  In the end, you will avoid being bitten by the art world, and instead leave giddy and content.



Thursday, January 20, 2011

Impasto "RED"

Bubbling up from the gallery request pot has come unusual requests for "red" paintings.  Now, I'm not shy about using red, nor am I objecting to the requests.  I like red!  In the pasts few months, four galleries asked for red paintings.  Is it the glum economic times?  Have I been selling more red paintings lately which prompted this?

In the past, galleries have had requests but, they've been more like: ....do you have any tango paintings? ...or, do you have any tulip paintings? ...or, landscapes? ...or, figures? or, still lifes?  But, red? 

Now, in my studio, I'm looking at a near finished painting of the tulip fields of the Skagit Valley. A decision is to be made....... Okay, YELLOW, WHITE, AND BLUE ...
















 (with a hint of RED).  ;-)....

"RED"  36" x 36" oil impasto

http://www.alfredcurrier.com/

Sunday, January 16, 2011

An Object of Beauty

I just finished reading Steve Martin's new novel, "An Object of Beauty." I wanted to read this book because I knew that Steve Martin was an avid art appreciator. What took me by surprise was his uncanny behind-the-scenes knowledge of the business of art. This is a book worth reading for artists as it will give you a sense of place in the art world.
I must say that the artist's involvement is more about the process whereas the viewer is about appreciation, entertainment, and/or maybe business.  I enjoyed this book but, was left with an empty feeling for the artists. 

Below is a photographic progress of my most recent painting, "Glow."  This 48" x 60" impasto oil was one where I lost all sense of time and space as the painting almost painted itself.  In regards to Martin's book based on those who speculate on art, no thoughts of financial or critical acclaim ever entered my mind.  I just did what I do and others will decide whether it's an object of beauty or just another trite and sentimental attempt at painting.  Pushing paint is fun.









Wednesday, November 24, 2010

Jacob Sound video

I'd like to share with you a video created by Jacob Sound of my work. 

See YouTube link below:
http://www.youtube.com/watch?v=Nh3uU4aZDrQ

Monday, November 15, 2010

Our studios and work habits by Jennifer Bertman











I thought I'd share with you an interview by Jennifer Bertman about our studios and our individual processes of creating.  See link below.    



http://writerjenn.blogspot.com/2010/11/peek-at-creative-space-of-alfred.html

www.alfredcurrier.com

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